Exploring memorable scenes that celebrate football in the movies.
Michael remains a passable biopic that looks good, sounds great, and delivers the moments fans came for. But it also feels formulaic in a way that's hard to ignore, notes Mayur Sanap.
Aadu 3: Part 1 feels like a film trapped in its own ambition. While it expands the universe in an interesting manner, it loses sight of the tight, irreverent humour that made the previous films click in the first place, notes Sreeju Sudhakaran.
Even with its flaws, Toh, Ti Ani Fuji stays with you because of how real it feels, notes Mayur Sanap.
Jazz City could have been enjoyable had it not been so densely over-plotted and unevenly executed, notes Deepa Gahlot.
What The Devil Wears Prada 2 does really well is the chemistry between its characters, steered by a very likable cast, observes Mayur Sanap.
LIK: Love Insurance Kompany is an ambitious film for its setting, but underscores in both the romance and the humour departments. The world-building is vibrant, the ideas are relevant, but the storytelling lacks the depth and conviction needed to bring them together meaningfully
Bollywood is super busy this July. Joginder Tuteja lists the movies coming up in theatres.
Ratheesh Balakrishna Poduval's latest film Oru Durooha Sahacharyathil (Under Mysterious Circumstances), showcases both his directorial strengths and inconsistencies, starting as a compelling tale of brotherhood before shifting awkwardly into a psychological study.
Prathichaya has timely ideas and an interesting moral core, but is weighed down by dated storytelling, predictable plotting, and uneven performances, notes Sreeju Sudhakaran.
Wolfgang Petersen's Troy is grand, star-studded and visually impressive, but it never quite lives up to the epic that inspired it.
Mamla Legal Hai 2 draws humour from its assorted characters, crafting quirky storylines inspired by newspaper headlines, and anchored by consistently strong performances, led by an ever-reliable Ravi Kishan, applauds Sreeju Sudhakaran.
The first half of 2026 has concluded with a stark reality check for Bollywood, as over 25 films underperformed at the box office.
Katrina Kaif celebrates her birthday with her 'most precious blessing'.
Demon Slayer: Infinity Castle's art is SOOOOOOOOOOOOOO good, amazing, terrific, beautiful, imaginative... Avan Verma has run out of words.
Vaazha 2 grows beyond the shadow of its predecessor by refining its tone, strengthening its themes and delivering more assured emotional beats and performances, notes Sreeju Sudhakaran.
From Mollywood Times to Mohiniyattam, these black comedies from South Cinema prove that the darkest humour can also deliver the sharpest entertainment.
Marty Supreme is anchored by a stunning lead performance from Timothee Chalamet, applauds Mayur Sanap.
From psychological mind-benders to folklore nightmares and zombie comedies, these 10 Hindi horror films prove Bollywood has produced far more than just things that go bump in the night.
If dark and twisted crime thrillers and trauma-led violence interest you, you can binge-watch Daldal over the weekend, endorses Divya Nair.
Akshay Kumar and Priyadarshan's reunion in 'Bhooth Bangla' attempts to capitalise on nostalgia but ultimately delivers a noisy, recycled, and uninspired horror-comedy that struggles with weak humour, ineffective scares, and miscasting.
Entire villages have been washed away, animals have been washed away. Whatever they had, everything is finished.'
From Ramayana Part 1 and Alpha to King and Toxic, here's why the next six months could be one of Indian cinema's most exciting line-ups in years.
Actors Ayesha Khan, Imran Khan, Huma Qureshi and Saqib Saleem have joined the nationwide youth protests.
The once promising YRF Spy Universe, which delivered Bollywood's first Rs 500 crore grosser with Pathaan, is now grappling with an uncertain future as recent releases like Alpha and War 2 fail to ignite the box office.
At a time when the politics of hostility has engulfed the world and escalated it into senseless wars Main Vaapas Aaunga's unwavering belief in love is a testament to cinema's uplifting gifts, notes Sukanya Verma.
Peddi buries its powerful story about caste identity and social inequality beneath hero worship, regressive romance and exhausting excesses bemoans Sreeju Sudhakaran.
If you are willing to spare four hours of your day on a spy action thriller, Dhurandhar The Revenge will surprise, shock and overwhelm you with its nervous energy, notes Divya Nair.
'Injustice and violence is not new in our country. It has only just arrived at your doorstep, and now even you cannot ignore it.'
Cheekatlo is a run-of-the-mill crime procedural, notes Arjun Menon.
The Housemaid makes up for a few hiccups with a series of sharply staged shocks, resulting in a fun and satisfying thriller, notes Mayur Sanap.
'This is not the first time this government has show us the 'darkest day of democracy''
Imtiaz Ali's daughter Ida Ali has announced her engagement to boyfriend Krish Agrawal.
'It would have never crossed anybody's mind where life would have taken us or that Irrfanji would fall sick.'
Though it revisits a terrifying period of Brazilian history, The Secret Agent just skims over the surface of the darkness, not losing its pace, colour, music and a sense of optimism, observes Deepa Gahlot.
Ziddi Ishq is a messy, unhinged revenge drama that is all over the place, observes Divya Nair.
Manuel Garcia-Rulfo delivers his best performance yet in The Lincoln Lawyer 4, applauds Deepa Gahlot.
Even as Benedict and Sophie steal sultry glances and get intimate, one crucial thing is missing all throughout, notes Divya Nair.
Alia Bhatt shares a photo dump from the intimate wedding of her friend, actress Akansha Ranjan, to filmmaker Sharan Sharma.
'...after seeing how our children are being subjected to such oppression at the hands of these masked men carrying sticks.'
